On July 4, 2025, Hot Since 82, the Deep House heavyweight known as Daley Padley, kicks off his much-anticipated return to Ibiza with Knee Deep In Sound at 528 Ibiza. A cornerstone of the genre, his standout tracks like Veins and his iconic remix of Green Velvet’s ‘Bigger Than Prince’ have solidified his legacy as a trailblazer. After a years-long break from the island, his renowned label’s live event makes a comeback as a daytime party, bringing his signature sound to the Balearic club circuit.

From 5:00 PM to 11:00 PM, the event pulses with the next generation of Deep House talent, featuring Cameron Jack, Us Two, and Elkins, all artists nurtured by the Knee Deep In Sound label. Their sets promise deep, driving basslines and infectious grooves, perfectly suited for the open-air 528 Ibiza vibe. Each act brings a fresh spin on the genre, keeping the dancefloor locked in with seamless, soulful mixes.

The Knee Deep In Sound event is more than a party—it’s a showcase for emerging stars under Hot Since 82’s mentorship. This one-off gathering at 528 Ibiza delivers a masterclass in Deep House, merging veteran expertise with new blood. It’s a can’t-miss moment for anyone chasing the island’s legendary club energy.

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German DJ, label owner, and artist manager Oliver Schories is set to release his latest remix of the soulful San Franciscan trio KARMACODA’s track ‘Deja Vu’, slated for release on February 28th via Sola Musa Music. With a career spanning over a decade, Schories has amassed 140 million Spotify streams and gained widespread recognition from Mixmag, Magnetic Magazine, Decoded Magazine, Deep House Amsterdam, FAZE Mag and many more. His catalog featuring albums like Exit (2013) and Blitzbahn (2018), showcases his signature melodic house sound and his influence as both an artist and label curator through SOSO and Pracht. 

The original version of ‘Deja Vu’ comes from KARMACODA’s critically acclaimed 2022 album, Lessons In Time. Composed of Jessica Ford (vocals), Brett Crockett (vocals/producer), and Eric Matsuno (bass/multi-instrumentalist), the trio blends electronica, trip-hop, R&B, and dream pop, drawing comparisons to Adele, Lana Del Rey, and Massive Attack. Their evocative sound has been featured in CLASH Magazine, Wonderland Mag, and Earmilk, with airplay on NPR Music and RTÉ 2XM, and their music has appeared in film and television scores. 

Oliver Schories’ remix of ‘Deja Vu’ transforms the track into a melodic house journey, seamlessly blending hypnotic rhythms, ethereal synths and pulsating basslines while preserving the haunting allure of Jessica Ford’s vocals. The remix drops February 28th via Sola Musa Music, promising a captivating new interpretation of KARMACODA’s evocative sound. 

Pre-save ‘Deja Vu (Oliver Schories Remix)’

Stream Oliver Schories remix of ‘Deja Vu’ early, exclusively via House Music:

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Fresh from announcing her new album Sad Girl , TSHA has unveiled the brand new video for ‘Girls’ (feat. Rose Gray). Released as the first single from the new record, ‘Girls‘, and the previously released ‘Sweet Devotion’ have already seen widespread support from the likes of MTV, Billboard,  Resident Advisor, NYLON, Mixmag, Clash, DJ Mag, Consequence, Wonderland, This Song Is Sick, PopMatters, Brownies & Lemonade and many more.

The video — directed by Claryn Chong, produced by Amelia Studios — stars both TSHA and Rose Gray, and follows them, as well as a host of friends, as they prepare for a big night out: laughing, dancing, and lifting each other up. It’s a scene of shared ritual, femininity and friendship that will resonate with many, and it’s a perfect accompaniment for what is some of TSHA’s most danceable work to date, with ‘Girls’ described as a proper club anthem “for the girls and gays” to soundtrack messy nights, buoyed up by electro production and an earworm hook sung by Rose Gray: “it’s my body it’s my mind”.

Watch the video for ‘Girls’ (feat. Rose Gray) below:

‘Sad Girl’ sees TSHA welcome a new era, one where she’s putting her own vocal stamp on tracks and approaching the genres she’s always wanted to, rather than seeking approval from her peers. Beyond showcasing just the euphoric or melancholy sides of her character, TSHA puts it all on display. It’s a body of work that shows it’s OK to be sad, and you can even revel in it – you can’t have the highs without the lows, after all.

It’s the second full-length from the fast-rising UK star, and follows 2022’s debut album, Capricorn Sun, which was built on bright, melodic house foundations, bringing in UK garage and rave sensibilities. The record was named Album of the Year by DJ Mag and BBC R1 Dance, while Music Tech mag made TSHA their Producer of the Year – which meant a lot, as a female producer whose production skills were often overlooked. The unifying thread in TSHA’s music is in her ability to convey emotions – take, for example, the heart-tugging ‘Sister’, which came about during the 2020 lockdown after she discovered she had a half-sister.

All this has clearly resonated: TSHA’s music has earned well over 180 million streams, while she’s been nominated for a MOBO for Best Dance Act, and a Grammy, for her writing work on Diplo track ‘Let You Go’. Late last year, she collaborated with Ellie Goulding, after the pop star DMed TSHA saying she loved her work. ‘Somebody’ (with Gregory Porter) was the outcome, an emotive shuffler with artwork inspired by Avril Lavigne’s ‘Let Go’. ‘Giving Up’ (ft. Mafro) was named by Spotify as their fourth best electronic track of 2022.

Now a rising superstar in the electronic world, TSHA has been tipped by the dance music press as well as the likes of the Observer, Billboard and Interview Mag. She has appeared on the covers of Mixmag and DJ Mag, while collecting accolades such as becoming a DC-10 resident, delivering a BBC Essential Mix and more. Gearing up for even more shows, including All Points East, Lost Village and headline shows in North and South America, Europe and beyond, she’s showing no sign of slowing down.

All this is unsurprising, given TSHA has been dominating dancefloors for some time. She regularly supports stadium-sized artists such as Chemical Brothers, Flume and Fred again.. while playing well over 100 shows a year. Her current Ibiza tour has seen her giving out hand-fans and baby-tees adorned with ‘IBISHA’ bubble writing to heaving, sweaty crowds.

While it finds joy in hedonism and escapism, Sad Girl is also an album that addresses difficult feelings. Interlude ‘Lonely Girl‘ channels her isolated childhood in the predominantly white town of Fareham, near Portsmouth, crafting Secret Garden-esque fairy tales in her head. ‘Green’ was written after an argument with her partner, where she candidly sings (the album sees her debut her vocals for the first time) about toxic positivity. TSHA might radiate confidence, grinning ear to ear, in DJing videos posted on social media, but she’s also openly talked about struggles with her mental wellbeing. Titular track ‘Sad Girl’ has a spoken word intro from Dan Whitlam, themed around feelings of loneliness and unhappiness despite being surrounded by people. Importantly though, Sad Girl sees TSHA moving through and beyond these challenges. 

As with her earlier releases, Sad Girl plays freely with genres – TSHA is someone with an encyclopaedic knowledge of music, and her personal tastes range from Pink Floyd to Caroline Polachek. Here she taps into her teenage years – the title nods to emo-y MSN screen names and Hotmail addresses – and you can hear it in the strokes of ‘00s R&B, rude electro and anthemic techno, recalling the bittersweetness and angst of early adulthood. Amid snatches of stillness and reflection, it’s a dance record at its core: hot club bumpers rub up against hypnotic floorfillers and MTV-worthy pop.

The inspiration for the artwork came after, aged 21, TSHA had a dream that she was trapped under ice. She’d been depressed at the time, and imagined walking over a frozen lake, it cracking and her falling into the freezing water. After fighting to try and get out, she gave in, sinking to the bottom. That dream has always stuck in her head: she linked it to feeling like she was fighting life at the time. On the album’s cover, she’s successfully pulled herself out of the ice, and is laid atop an iceberg, in a glam shot inspired by Thierry Mugler’s fashion photography from the ‘80s.

Watch and listen to ‘Girls’ (feat. Rose Gray) now, and see below for a full list of TSHA’s upcoming shows. Sad Girl is out on September 27th on Ninja Tune.

Sad Girl tracklist:

1. ‘Sad Girl’ (feat. Dan Whitlam) 

2. ‘Girls’ (feat. Rose Gray) 

3. ‘In The Night’

4. ‘Can’t Dance’ (feat. Master Peace) 

5. ‘Green’

6. ‘Sweet Devotion’ (feat. Caroline Byrne) 

7. ‘Lonely Girl’

8. ‘In Bloom’ (feat. Abi Flynn) 

9. ‘Azaleas’ (feat. Ingrid Witt) 

10. ‘Take’

11. ‘Drive’ (feat. Ingrid Witt) 

12. ‘Fight’

TSHA tour dates:

July 14th – Brunch Elektronik – Barcelona, ES

July 17th – Amnesia – Ibiza, ES

July 20th – Tomorrowland – Antwerp, BE

July 27th – Hï – Ibiza, ES

July 28th – Junction 2 – London, UK

August 3rd – Ushuaia – Ibiza, ES

August 4th – Santander Music Festival – Santander, ES

August 6th – HI Ibiza – Ibiza, ES

August 10th – Outside Lands Festival – San Francisco, CA – US

August 14th – HI Ibiza – Ibiza, ES

August 16th – All Points East – London, UK

August 17th – Panorama Festival – Puglia, IT

August 20th – Ushuaia – Ibiza, ES

August 23rd – Lost Village Festival – Lincoln, UK

August 31st – Hï – Ibiza, ES

September 8th – Oasis Festival – Marrakech, MA

September 11th – Amnesia – Ibiza, ES

September 13th – TBA – Tiblisi, GE

September 19th – Club Chinois – Ibiza, ES

Tickets – https://tshamusic.com/

Follow TSHA:

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‘Time’ floats within the realm of electronica, drifting between serene, immersive atmospheres and pulsating four-on-the-floor energy. Its rich blend of deep bass, organic elements, delicate vocal snippets, and sparkling synths creates a sonic journey, oscillating between momentum and moments of introspective reflection.

Calcou shared: ‘Time’ is about how it feels to be constantly chased. By deadlines and appointments, but also by little things like constant availability. Sensory overload has become a kind of permanent state, with opportunities and answers everywhere. We wrote this text in collaboration with AI. Everything happens incredibly fast, AI doesn’t need a break. I asked myself what place humans will have in this system.”

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Coming off a record-breaking world tour in support of his previous album, during which he sold out all dates months in advance, Ben Böhmer made a point to take time to himself and return to the space that compels him the most: his studio. It’s there that he’s able to truly channel his passion for spontaneous creativity and relentlessly focus on honing a craft that allows him to express deep, complex feelings. He tackled grief on his breakthrough debut album, Breathing (2019), and separation on its follow-up, 2021’s Begin Again.

The success of those records, almost 1 billion streams and counting, and his ability to connect with audiences in a live setting—he played over 200 shows in 2022—propelled him down a track that felt at odds with what he wanted. Despite the accolades and sell-out events, he was being pulled in a direction that was not him. Bloom is a reset, a confident reassertion of his own desires and more improvisational origins. In Bloom, we hear and feel Ben’s growth, the joyful pursuit of newness that pulls him back to the studio day after day, season after season. 

Ben embraces his imperfect journey thus far on the forthcoming album’s first single, ‘Best Life’, featuring Berlin-based singer-songwriter duo JONAH. Sonically, ‘Best Life’ is a bold step in a new direction for Böhmer, who is intent on growing out of the pre-fabricated boxes he’s been placed in. Böhmer’s songwriting and composing talents extend to the foreground on Bloom alongside revered artists like indie royalty Lykke Li, alt-pop duo Oh Wonder, Enfant Sauvage (of the French duo The Blaze), and more. The album features a swathe of styles and tempos that earlier tracks in his career feel like breadcrumbs to.

“Life is short and fast,” JONAH remarks on the track. “You try, you fail, and sometimes we lose a special person along the way who is irreplaceable, but the memories stay with us, shaping who we are. ‘Best Life’ is all about that rollercoaster ride of trying, failing, and a reminder of the importance of living each moment to the fullest.” 

In support of the new album announcement, Böhmer has announced a run of live shows this fall across the UK and Europe, including stops at Alexandra Palace in London and Albert Hall in Manchester. These dates will follow his upcoming performances at major music festivals like Sonar, Electric Forest, Lollapalooza, and Portola, in addition to his direct support performances for ODESZA at BMO Stadium in Los Angeles, the Gorge Amphitheatre in Washington, and Madison Square Garden in New York City. 

Pre-Save / Pre-Order Bloom HERE.

Ben Böhmer Upcoming Tour Dates

14 June – Sonar by Night – Barcelona, Spain

20 June – Electric Forest – Rothbury, MI

22 June – Madison Square Garden – New York City, NY*

5 July – Ogden Twilight – Ogden, UT

6 July  – The Gorge Amphitheatre – George, WA *

21 July – Krizikova Fountains – Prague, Czechia

4 August – Lollapalooza – Chicago, IL

9 August – Superior Ingredients Roof [Day] – New York City, NY

9 August – Musica NYC [Night] – New York City, NY

10 August – îLESONIQ – Montreal, Canada

22 August – Refshaleøen – Copenhagen, Denmark

29 September – Portola – San Francisco, CA

4 October – Maximum UNIQ Open Air – Istanbul, Turkey

14 November – Albert Hall – Manchester, UK *

16 November – Alexandra Palace – London, UK *

21 November – Waagnatie – Antwerp, Belgium *

22 November – Adidas Arena – Paris, France *

November 26 – Inselpark Arena– Hamburg, Germany *

November 27 – The Palladium – Cologne, Germany *

November 28 – AFAS – Amsterdam, Netherlands *

November 30 – Velodrom – Berlin, Germany *

* Support for ODESZA

Follow Ben Böhmer:

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Follow JONAH:
Spotify – Instagram

New York producer Exstra unveils a scintillating single, ‘Frozen’, via the Enormous Chills imprint. The track was mastered by Grammy-nominated producer and engineer Christian Hirt, who has worked with Nora En Pure, EDX, and many more. Exstra boasts 1.4 million streams across platforms, making waves with releases on renowned record labels like Colorize, Enormous Tunes, and Zerothree. He has received radio support from KISS FM and SiriusXM, and publication support from EDM Identity. Collaborated with vocalist Britt Lari on the track ‘Let Go’, with more vocal collaborations slated for the coming months. He performed for the We Belong Here music festival in Miami in February 2023 (alongside headliners Kaskade and Lane 8) and as DJ support for Martin Roth the following month. He graced the stage at We Belong Here music festival in NYC on May 24th, 2024.

Exstra blends dark analogue sounds together with beautiful organic tones to create music that keeps you hypnotised on the dance floor. ‘Frozen’ is a beautiful track that is filled with a captivating sense of tension and hope. A potent homage to his beloved feline companion overcoming illness, it features pulsating rhythms, a driving beat, cinematic atmospherics and an inspiring lead. Hypnotically progressive, it is a work of melodic house that is sure to ensnare listeners from the first second.

Listen to the track…

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ADRIANNA’s ‘Wild Electric’ soared to #5 on Beatport with its intense acid tech vibe, boasting pulsing rhythms, trippy synths, and a booming kick. 808 State’s remix expertly honours the original’s energy while adding their iconic 90s acid house touch, featuring analog synths and organic percussion for a lighter yet infectious rendition.

808 State revealed: “For ADRIANNA’s ‘Wild Electric’ remix I had dusted off my trusty Sequential Circuits Pro One Synth, it has some serious punch to it. The Roland R8 drum Machine was a signature 808 State flavour back in the early 90s especially using the ‘Ethnic Percussion’ card, I hadn’t used that in a while – there are plenty of old hardware synths chained up to make this an analogue rich juggernaut!”

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13-Track LP ‘Cold Enough For Snow’: Tinlicker’s diamond-sharp production skills reinforce their signature melodic sound with emotion-invoking indie guitar sounds, soulful vocals, arresting lyrics, and orchestral instruments, so that hearts, minds and feet can only blissfully surrender. 

‘Glasshouse’ feat Julia Church showcases Church’s stirring, yearning, yet edgy voice with lyrics affirming faith in love – ‘I know/there is hope, even in the dark, you glow/…/ I was never in doubt’- while fast, breaksy beats and melodic piano arps create an uplifting yet thought-provoking vibe. ‘Glasshouse is written about having a recurring dream about someone you love’ Julia says. ‘How their memory flashes in and out of your world in the same way they did – and no matter where they are, continuing to live in a way that would make them proud. Nathan [Nicholson] and I fell in love with this beautiful instrumental and we loved working together to find the perfect topline.’

Album Tracks/Collabs: South African vocalist/producer Church (60mil+ streams) also sings on ‘Slipstream’, (supported by BBC’s Sian Eleri and Pete Tong), written/produced with major album collab partner, Boxer Rebellion’s Nathan Nicholson whose haunting, soul-tearing voice rides the woodwind melodies of the Metropole Orkest on ‘Strawberry’, the breakbeat, pizzicato ‘Crossroads’, and the disjointed keys and punchy arps of ‘Staring Down Sunset’. 

An uplifting indie singing guitar sound duets with Editors’ Tom Smith’s world-weighted, heart-catching voice on ‘This Life’, complements Kieran’s soaring vocal on ‘Nothing To Lose’ feat Circa Waves, and emerges through the breathy voice and harmonium chords of ‘Who I’m Not’ feat Cloves, while Brian Molko’s decadent tones cut through the uncharacteristically trancey setting of ‘Nowhere To Go’, to create a different kind of ‘Placebo’ effect.

‘I love what music can do for people, become the soundtrack to lives we don’t know about, become very special to them.’ Micha/Tinlicker

The 2024 EU and North American tours: Tinlicker return to the UK, to the legendary Troxy London, Marble Factory (Bristol), Mandela Hall (Belfast). EU dates inc. Gashouder (NL), Elysee Montmartre (Paris), Magazzini Generali (Milan), Vicar Street (Dublin), Live Music Hall (Cologne), Fabrik (Hamburg)… breaking new ground in many cities/nations. Their newly announced North American tour inc. New York, LA, Detroit, Nashville, Houston, Toronto, Montreal.

Album Tracklist: 

1. Glasshouse (feat. Julia Church) 
2. Staring Down Sunset (feat. Nathan Nicholson)
3. Nothing to Lose (feat. Circa Waves)
4. Blowfish
5. This Life (feat. Tom Smith)
6. Slipstream (feat. Julia Church)
7. Who I’m Not (feat. Cloves) 
8. Revolution
9. Crossroads (feat. Nathan Nicholson)
10. In Your Eyes 
11. Nowhere To Go (feat. Brian Molko)
12. Strawberry (feat. Nathan Nicholson & Metropole Orkest)
13. Pretender

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Spawning richly-textured and tight UK House beats with a distinctly Parisian palette, From Yesterday Until Tomorrow is a mosaic of Eole’s hybrid influences. Embossed with glittering melodies which dance over pulsing breakbeat rhythms, glitched out vocal tracks pan and telescope in stereo. Both new tracks draw out an irreverently fresh summer sound filled with psychedelic avenues and ambient patches. From Yesterday features warbling synths and heavy bass filtered through a happy haze. Creating a perfect blend between minimal and nuanced. The EP’s featured track ‘Until Tomorrow’ debuted on Deep House Sweden – a dance-ready daze that pulls no punches and subtly draws you in with hypnotic vocals.

With the release of his new EP, Eole commented: “I wanted to break down the boundaries that French artists set for themselves, to dare to cross oceans with relevant music. All the experiences I’ve had with Gucci, JBL, Zalando, Foot Locker and even Kourtrajme have pushed me to assert myself with this project. I’ve been waiting for this moment for 15 years, to unleash the beast in the arena, so that Eole can finally starts blowing the storm.”

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Under Lisbon Lux Records psychedelic house artist Super Plage released his latest single and video ‘NYE’ on the 20th of January. The explorative musician has enjoyed support from notable international publications in the likes Orcasound and  Notion Magazine among many others and boasts GAMIQ awards for his acclaimed albums Super Plage II and Électro-Vacances respectively. 

Stream ‘NYE’ on Spotify – iTunes

The ‘NYE’  video excites the eyes and offers a glimpse into the tormenting reality of the presence of loneliness or the feelings of aloneness a person can have while surrounded by a crowd of people by showing a lone figure, sometimes approached by other people, amid a crowd blissfully dancing the night away. Ultimately, elation and bewilderment are represented as two opposite sides of the same coin and this contrast is presented in filmed visuals that are dominated by bright fluorescent light in greens, reds and purples.

Jules Henry alias Super Plage discusses the subject matter in ‘NYE’: “This 4th single really sets the tone for the upcoming album ‘Magie à minuit’ with its dark yet exhilarating mood. It is about the thrill that comes from partying late, which is the very essence of this album which is dedicated to Montreal’s nightlife. It should also make you dance”.

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